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We went camping near Williams River. The unusual spring weather has the spring ephemerals blooming all at the same time. Bloodroot and troutlilies are usually gone by the time the wind anemones peak, but this year everything happens at once.
Observations on Appalachia, knitting, sewing, fiber distractions, natural history, literature, Old-Time music, and Linux.
We went camping near Williams River. The unusual spring weather has the spring ephemerals blooming all at the same time. Bloodroot and troutlilies are usually gone by the time the wind anemones peak, but this year everything happens at once.
It's finished at last. I got the backing tied to the patchwork denim coverlet I've been working on since last summer, and sewed on the binding this week. I had planned to piece polar fleece scraps for a backing, but I decided this bargain bolt of sweatshirt fleece was a better weight and texture. Besides, I always like a red sweatshirt with my jeans. I plan to test-drive it this weekend on a camping trip.
I finally settled on a pattern stitch for my latest pair of socks. I tried at least a dozen textures before selecting "Broad Spiral Rib" from Barbara G. Walker's A Treasury of Knitting Patterns. Here I've rewritten the directions for "in-the-round" knitting. (They are much simpler this way.)
Six stitch repeat: Row 1: *Purl 2, Knit 4.* Row 2: *Purl 2, Right Twist, Right Twist.* Row 3: *Purl 2, Knit 4.* Row 4: *Purl 2, Knit 1, Right Twist, Knit 1.*
Barbara Walker's Right Twist: Knit 2 together, leaving stitches on left-hand needle; insert right-hand needle from the front between the two stitches just knitted together, knit the first stitch again. Slip both stitches from the needle together.
The yarn is an odd skein I bought on sale 15 or 20 years ago, either in Annapolis or College Park, MD. You can see that Brown Sheep Farms' marketing was less slick years ago than now.
I took my tomatos out of their "incubator" (our dehydrator where we keep them at 75 degress F until they germinate), and put them on the window sill. These are last year's seedlings (asparagus, cabbage, kolarabi, and tomatoes) the first week in June, a day or two before I planted them. I usually buy some plants from the local stores, and plant them at the same time I plant the seeds I start at home. Although the plants from the store look much bigger, and even have blossoms on them, by the end of June, my little fellows always catch up, and eventually are more productive.
I started my garden seeds last week. We usually set plants out at the end of May, and I've found that the less time they spend as seedlings in the house, the better they do. This year I ordered three varieties of tomato seeds from Seed Savers' Exchange.
Seed Savers Exchange is a nonprofit organization that saves and shares the heirloom seeds of our garden heritage, forming a living legacy that can be passed down through generations. When people grow and save seeds, they join an ancient tradition as stewards, nurturing our diverse, fragile, genetic and cultural heritage.
While I have mixed feelings about rhetoric like this, I prefer to save garden seeds whenever possible. The commercial outlets paradoxically make very limited selections available to those of us in rural areas, and the last few years, most of the seedlings I've bought have been mislabeled. Instead of broccoli, I get cabbage, instead of Roma tomatoes, I get cherry tomatoes, etc. The seeds I save have a better germination rate, and I like to know what I'm getting.
When seed shopping, the temptation is to try too many new things at once. With great effort, I limited myself to three new tomato varieties this year. That's probably still too many experiments for our garden. I tried two "sauce-style" tomatoes, and a locally famous variety I've heard about, but never found before.
Amish Paste Tomato. Heirloom discovered in Wisconsin. Produces 6-8 oz. red fruits that are oxheart to almost teardrop-shaped. Meaty fruits are juicy and have really outstanding flavor. Good for sauce or fresh eating. Indeterminate, 85 days from transplant.
Spitze Tomato. Romanian paste tomato that is great for making sauce, but sweet and flavorful enough to eat fresh. Good set of red fruits, 2-3" at the shoulders by 4-6" long. Nice for processing. Indeterminate, 80 days from transplant.
Hillbilly Potato Leaf Tomato. Absolutely gorgeous slicing tomato. Sweet juicy 4-6" flattened fruits about 1 pound each. Beautiful yellow fruits are streaked with red on the blossom end. Heavy producer. Introduced to SSE in 1994 by SSE member Jerry Lee Bosner of Ohio. Indeterminate, 85 days from transplant.
It happens to me all the time--I look up something simple on the Web, and I end up with a treatise. My latest over-researched topic is yogurt. All I wanted was a basic recipe. Here are nine recipes, all of them with different advice, opinions, and ingredients. I'm currently working through them here at Dr. Bootsie's Test Kitchen and Ladybug Graveyard. A review with recommendations will be available soon.
I was very impressed by Virginia Tech English professor, Lucinda Roy. When famous poet/personality Nikki Geovanni wanted the deeply disturbed student Cho removed from her classroom, Ms. Roy took him on and worked with him individually. When I think about my own experiences in academe, I'm amazed. I don't think that such individual attention is common, especially at such a large university. That's why I poked around the Web, and discovered Technology and the Learning Environment: An Interview with Lucinda Roy, from 1998. Since I've become involved in distance education, I was interested to read what she had to say. She seems like a first-rate teacher.
Lucinda Roy, Alumni Distinguished Professor of English at Virginia Tech, spoke to CAUSE/EFFECT Editor James Roche about her experience teaching online courses through the university's three-year-old Cyberschool....
Roche: Is there a risk, by doing things with e-mail and with less personal interaction, that students will never get to know their instructors' personalities and dynamic style of teaching? Or are there ways of maintaining that connection?
Roy: The question about whether we're going to lose human contact in the university environment is the predominant question that lots of us are asking, especially if we care about teaching. We do know it's the face-to-face energy that often exists in the classroom, the communal energy, that creates a wonderful space for learning. Whether there's a way to duplicate that [in an online environment] is questionable....
As we become more adept at making sure that students can access us even in their homes, it will seem more natural. Let me give you an example. Right now, my students often e-mail me three or four times a day. One thing I've learned from this online interaction is that the ways in which we speak to each other [online] are very different from the way we would speak if we were face to face. Students working online are often much more informal early in the semester. Most teachers who love tutorials really love online interaction if it's designed well. You can have the kinds of dialogue you would not normally have in a public space.
....One of the things I love about e-mail is the fact that for the most part, it is not an intimidating medium. Even students who are dyslexic sometimes really don't mind sending e-mail, partly because they can spell check it anyway. There's a sense that you can express yourself in e-mail as though you're talking to someone....You cannot learn to write unless you write. When the only channel of communication you have is the online channel, it is amazing how much people will write....students write two, three, four times as much because they feel as though they can. They feel as though they must.
I haven't been reading many science fiction or mystery novels lately, but I have consumed more than my share in the past. Some of the writers I most admire write "genre fiction," and when they offer writing tips, I'm pleased to read them. Here are some links I've come across lately.
Although I belong to knitting webrings, I've been unraveling more than I've been knitting the last few months. In the sock knitting department, I've been swatching and unraveling. I like to learn something new, a technique or a pattern, when I knit a pair of socks, and the twist-stitch patterns I've been experimenting with lately have proven unsuitable for socks.
This winter I've unraveled half a dozen seldom-worn sweaters. To my surprise and delight, when washed, these salvaged yarn skeins have fluffed up good-as-new. I'm currently trying to decide what to do with this multi-yarn mohair sweater. I made it four or five years ago, and have only worn it a few times because it is far too warm for indoor wear. I like the color/texture combination, and I could re-style it into a cardigan easily, because it is knit side-to-side. However, I'm not sure I would wear it. My inner unraveler whispers that there are a lot of potential hats in this yarn.
One grey, cold day last winter, I started to wonder how to propagate my African violets. One thing led to another, and before I knew it, I had lists of links.
Commercial sites and sources for plants:
BlogHer finally pointed me to some links of interest--Bedbugger Blog and "The Bedbug Blog: I had bedbugs. I needed emotional support. I created this website." People are aware of bedbugs again. For some reason they are inspiring support groups, in contrast to more familiar vermin. (I don't see any support blogs for roach sufferers--yet.)
As an entomologist, the Heteroptera were my particular interest, and people used to tell me their ectoparasite troubles. (I was a professional, after all.) Most of the bedbug infestations I heard about were in old houses with bats in the attic or basement. Bats and birds have their own bedbug species, which they are happy to share with us when circumstances permit. The recent urban infestations which leave people in need of peer support are of Cimex lectularius, Linnaeus (Insecta: Hemiptera: Cimicidae). This is the common bedbug, Wanz, cimex, which has infested humans and domestic animals for thousands of years. Like untreatable bacterial infections, bedbugs are making a comeback.
The strangest thing about these odd bugs is their mating system--"haemocelic insemination." The male bedbug's intromitent organ is contained inside one of the genital claspers, which is used to puncture the female bedbug's body wall. Spermatozoa are injected directly into the female's body cavity, where they migrate to the ovaries. Other heteropteran families, including Nabidae and Anthocoridae, have similar morphological and behavioral adaptations. Bill Eberhardt, in Sexual Selection and Animal Genitalia, mentions several other animal groups with analogous mating systems. He classifies it as "male-male genitalic competition."
Here's something I really don't understand. A Google search of "Cimex" produced dozens of different corporate names. Cimex is the genus name of the bedbug, identical to the Latin word for that unpopular insect. Why would you select it to advertise the product you hope will make your fortune? You might expect that biotech and pharmaceutical companies would be sensitive to distasteful scientific names, but no. Here are several Cimex companies.
After testing and altering the pattern from Kwik-Sew's Sweatshirts Unlimited book, I made this pink French terry V-neck pullover. I was very pleased with it--it fits better and looks neater than ready-to-wear sweats, and the French terry doesn't give me the teddy-bear shape I usually get from a fleece sweatshirt.
I was casting about the house, looking for another fabric to try with this pattern when I thought of this oversized cotton knit sweater. I got it at deep discount from a quality menswear store in Georgetown in the 1980's. It was a handsome pattern in high-quality cotton yarn, and we were tolerant of huge, drop-shouldered knitwear in those days. However, I haven't worn it in a long time because it doesn't flatter.
I cut off the collar and sleeves, and used the sweatshirt pattern to cut the shoulders, neckline and armhole patterns, and also the sleeve caps. I experimented a bit on the scraps, and found I could use my sewing machine to assemble the pieces without too much stretching and distortion. I sewed the pieces together using a multi-stitch zig-zag stitch and the dual feed foot. (I use the dual feed or "top-feed" or "quilting feed" foot every time I sew with knits or attach elastic. It almost eliminates uneven stretching of the seams.)
The rebuilt sweater doesn't look much different than the original when it hangs on the clothesline. It's still an oversized sweater on me, but it no longer hangs to my knees, nor does it have wads of excess material at the armholes, or overlong sleeves. I plan to wear it as soon as Spring resumes its normally scheduled progress.
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I don't take these quizes because they identify me as wishy-washy things (a "granny knitter," or "Microsoft ME OS"). However, Sherry Chandler found a quiz that calls me something I like. For the record, Sherry is blank verse.
One challenge in sewing bras is selecting the correct pattern size. Determining one's bra size is tricky in ready-to-wear as well, and many Web sites, including Oprah's, assert that most Americans wear the wrong size bra. These sites also offer directions for measuring for a correct fit. I've tried half a dozen measuring schemes, and I've gotten that many different sizes. I finally guessed and started sewing. I've made four bras and don't have that "Ideal Fit" yet, but the puzzling nature of bra construction keeps me going. You start with flat pattern pieces that don't look anything like a bra, sew a few seams, and there you are with a wearable three-dimensional object. The following resources speak to the engineering and biomedical challenges bras offer.
For no apparent reason, finding out your bra size is always a big mystery. It shouldn't be. Although there is no foolproof system, the following set of guidelines should get you most of the way there. (Note: If you are trying to figure out what breast implant size you want to obtain, go to the following article.
Chapter 3: Innovations of bras Definition of innovation. A brief history of bra invention and innovation. Bra innovations in the 21st century. Technology behind the bra innovations. Bio-electromechanical approaches to bra inventions. Conclusion.
Here are some statistics and mathematical modeling web resources I've gathered as sample sets for the next time I teach statistics.
After moaning yesterday that I had nothing to show for all my sewing, I decided it was time for some improvements around here. The clothesline, in particular needs adjustment. You never know what you'll need a tractor for. And here are three proof-of-concept knit tops. The green shirt on the left is made of wicking sports knit using Kwik-Sew 2900. The men's tee-shirt in the center is "Kwik-Sew 2334: Men's Boxers, Briefs, Tank Top and T-shirt," and the fuschia V-neck sweatshirt is from the Kwik-Sew Sweatshirts Unlimited book. These were test-pattern garments that turned out to be wearable.
I've been sewing and sewing this week, but I have nothing to show you yet. I'm sewing muslins and testing new patterns, and, so far, nothing's working. One particularly troublesome project is finding and fitting a good bra pattern. So far, I've found and fitted several bad (for me) bra patterns. Although I can't offer my own results yet, here are some useful links for people interested in sewing bras.
Making a bra is very easy. Follow the pattern instructions exactly the first time. Do not try to adjust the pattern. If an adjustment is needed, make another bra....It may take sewing your bra two or three times to get the perfect fit. Remember, you try on three or four bras in the department store. Whatever you do, enjoy making your bra. Do not have a nervous breakdown. It's only fabric.I've been very pleased with their products, and they have had some great sales.
My first semester teaching statistics is over, but I'm still finding Web references for my next batch of students. I've been very impressed with what's available online for free.
I've been looking for a nice theme to tie these useful Linux links together, but sometimes, I'm afraid, there is no theme. Sometimes blog and journal entries just help us remember where to find things we'll need later.
Yesterday Slashdot reported that Debian Linux had big news: Two Major Debian Releases In One Day. According to Slashdot,
If all goes according to plan, Debian should release both an update to Debian Sarge (3.1r6, henceforth to be oldstable)--and a new stable release (Debian 4.0, which was codenamed Etch) and announce the results of the election for Debian Project Leader--all within 12 hours. Sarge was updated late on April 7th UTC, Sam Hocevar was announced as DPL at about 00:30 UTC, and preparations for the release of Debian Etch are ongoing and look good for later on the 8th.
On the Debian News page I found that Debian 3.1 had indeed been updated, and learned that, if I wanted to keep running Sarge, it was henceforth to be known as oldstable. I dutifully replaced every occurrence of the word "stable" in my /etc/apt/sources.list
with the word "sarge." It wasn't long before the announcement: "Debian GNU/Linux 4.0 released, April 8th, 2007" appeared.
The Debian Project is pleased to announce the official release of Debian GNU/Linux version 4.0, codenamed "etch", after 21 months of constant development. Debian GNU/Linux is a free operating system which supports a total of eleven processor architectures and includes the KDE, GNOME and Xfce desktop environments. It also features cryptographic software and compatibility with the FHS v2.3 and software developed for version 3.1 of the LSB.
Using a now fully integrated installation process, Debian GNU/Linux 4.0 comes with out-of-the-box support for encrypted partitions. This release introduces a newly developed graphical frontend to the installation system supporting scripts using composed characters and complex languages; the installation system for Debian GNU/Linux has now been translated to 58 languages.
It was exactly one year ago that I spent more than a week having Fun (?) With Debian Etch. I'd like to upgrade, but all my experimenting last year told me that some of my Etch problems may be because I'm using such old hardware. This computer was new in 1998, and my other Intel machine is only a couple of years newer. One serious problem I had with Etch was that I could no longer mount my USB thumb drive or my digital camera. The other was that the new installer just flat didn't work on my hardware. Both of these problems are deal-breakers. Fortunately, I spotted the instructions for pointing my /etc/apt/sources.list
toward oldstable, or sarge, before I innocently ran a maintenance apt-get dist-upgrade
and put myself out of business.
I've Bittorrented the i386 Debian4.0r0 disk image, and I'm casting about for an expendable computer to try it on. It's fortunate for me that Debian supports its old stable for quite a while.
When I lived in Our Nation's Capitol, I heard a lovely Irish air called "Easter Snow," sung with English lyrics. Today, we have Easter snow on Droop Mountain, which motivated me to look up the tune. I discovered this entry in The Fiddler's Companion: A Descriptive Index of North American and British Isles Music for the Folk Violin and Other Instruments. by Andrew Kuntz.
EASTER SNOW. Irish, Air (3/4 time). G Major. Standard. AAB. Caoimhin Mac Aoidh explains the title is an English version of the Gaelic name Diseart Nuadhain, a placename in north Roscommon which can today be found in the form of Estersnow, a Boyle rural district. Mac Aoidh states that Petrie appears to have literally translated the English back into Irish as "Sneachia Casga" as an alternate title. The same air is to be found in Brendan Rogers manuscript collection (in the Irish Traditional Music Archive) noted from the performances of attendees at the Feis Ceoil competitions held in Belfast in 1898 and 1900. The musical family the Dohertys of Donegal had a different air by the same title, and the great Donegal piper, Tarlach Mac Suibhne, played a different air than the Dohertys. Mac Suibhne's playing of "Easter Snow" was recorded by the Dublin Evening Telegraph in 1897, when he was one of seven pipers at the first Feis, held in that city (the title in the newspaper was "Sneachta na Casga"). Finally, regarding this tune, Mac Aoidh notes that fiddler John Doherty personified "Easter Snow" as a woman, Ester Snow, whom he maintained was over six feet tall, very beautiful, and had skin as white as snow (leading to her name). Source for notated version: the Irish collector P.W. Joyce, 1864. Ó Canainn (Traditional Slow Airs of Ireland), 1995; No. 105, pg. 89. Stanford/Petrie (Complete Collection), 1905, vol. III, No. 1123.
The Balladeers website provides these English lyrics, which may or may not go to the air described above. They are, however, related to the lyrics I heard sung a few years ago.
EASTER SNOW (Christy Moore) Chorus: Oh the Easter snow It has fade away It was so rare and so beautiful Now it's melted back into the clay Those days will be remembered Beyond out in the Naul Listening to the master's notes As gently they did fall Oh . . . the music As Seamus he did play But the thaw crept over the mantle white And turned it back to clay Chorus: Oh the Easter snow It has fade away It was so rare and so beautiful Now it's melted back into the clay He gazed at the embers in reflection, He called up lost verses again, He smiled with a roguish recollection, While his fingers gripped the glass to stem the pain When knocked on his door was always open With a welcome he'd bid the time of day Though we came when the last flakes were melted While it lay upon the ground we stayed away Chorus: Oh the Easter snow It has fade away It was so rare and so beautiful Now it's melted back into the clay
A discography is provided for Irish Traditional Music Tune Index Tune ID# 3444 (Easter Snow) in Irish Traditional Music Tune Index. Alan Ng's Tunography. Some of the recordings are still "in print."
I finished assembling the blocks of my denim patchwork coverlet day before yesterday. I took pictures of the seamy side because it looks rather interesting, and because it will soon be covered by the backing fabric, red sweatshirt fleece. I plan to tie it, but I haven't decided how yet, or what to use for edge binding. While wondering about all these things, I also wondered about the word "seamy." Turns out, blogger "Language Hat" also wondered about "seamy" on December 20, 2004.
....[T]his is one word that really does derive from Shakespeare...he has Emilia say (in Othello, Act IV Scene 2):
"O, fie upon them! Some such squire he was
That turn'd your wit the seamy side without,
And made you to suspect me with the Moor."Hence the OED's definition reads: "Having a seam or suture; characterized by seams. seamy side, lit. the under side of a garment, etc. on which the rough edges of the seams are visible; fig. [after Shakes.] the worst, most degraded or the roughest side (of life, character, etc.)"...
1859 Sat. Rev. 2 Apr. 403/1 He appreciated to a considerable extent, what we may perhaps venture to call the seamy side of human affairs.
But by the end of the century it was taken for granted:
1899 H. A. Dobson Paladin of Philanthropy vi. 146 The knowledge of the seamy side of letters.
Emilia is defending herself here, saying Iago's wits are turned inside out. I still don't understand how we jump from "wrong-headed/wrong-side-out" to "sordid." Virtuous or not, here's the "right side" of the cover, snapped yesterday when the snow was just beginning to pile up.
Today would have been my mother's 90th birthday. Here's a card her six-year old cousin Mildred Williamson (later Campbell) sent Mom to commemorate her fifth birthday in 1922.
It's another installment in "How I Frittered Away Last Weekend on the Internet." These links offer good tutorials on pattern drafting from scratch, and in choosing and altering commercial sewing patterns.
I spent an unconscionable amount of time last weekend searching for sewing pattern information and guides to pattern drafting and alteration. Here are a few things I learned.
Many skilled seamstresses, including Rusty Bobbin, use pattern drafting software successfully. I've avoided this software because it runs exclusively on Microsoft Windows, and I'm neither rich nor leisured enough to keep that operating system running on Droop Mountain. However, now that I teach courses in Microsoft Office and have a Windows machine on hand (kept unplugged and unconnected, the best and cheapest way to avoid viruses), I thought there might be reason to reconsider computer-aided pattern drafting [CAD].
I found these reviews most helpful:
I read these (and other) reviews, and concluded that all this software assumes that it is easier to take a lot of measurements (more than 50 per person) than it is to convert the measurements to shapes on paper. In my experience, taking good measurements is more difficult than geometry, and CAD users report they still have to make fitting muslins and change the patterns their software produces. For my purposes, spending $100 to $600 on such software is not reasonable (although I still have an itch to play with these programs someday, to see how they function). Besides, the fun part is drawing the shapes. Why let the computer do it?
I've been thinking about expanding my involvement as a teacher in distance education lately. While I am enthusiastic about all the things I've been able to learn using Internet resources, I am ambivalent about on-line classes for college credit. On one hand, people in places like Pocahontas County have few post-secondary education opportunities locally, and distance education classes expand their possibilities. On the other hand, Internet classes cost just as much as on-campus classes, and I'm not sure they deliver good value to the students, especially in science and math classes. That's why I've been reading on the topic. Here are a couple of articles I found interesting.
Critical thinking involves analysis, critique and some evaluation of the information gathered in order to make a reflective and well founded conclusion from the same. It is therefore very important to understand that critical thinking ultimately affects all forms of communication, including speaking, writing, listening and reading. Critical thinking in online communication is particularly challenging as it puts emphasis on students' comprehension and knowledge of elements of an argument, as such, interacting with different ideas and one another. In this article, the author assesses critical thinking in a new semi-structured approach to computer-mediated communication, the SQUAD approach (Oriogun, 2003; Oriogun, Ravenscroft and Cook, 2005) using the practical inquiry (PI) model (Garrison, Anderson, & Archer, 2001) as a framework.
This article examines online gift giving in the form of opinion, information, and advice that individuals post on websites. Research has highlighted altruism and reciprocity as the key motives behind such gift giving. We argue that informational gift giving is also strongly driven by status and status seeking, and that status sentiments are more likely to sustain virtual communities....in online communities the recounting of consumption experience is often part and parcel of virtual identity formation. Given the social dynamics of modern society, this identity formation is often shaped by status seeking. Within the relative safety of online experience (compared to real settings), individuals can project identities that are closer to their ideal self. Inevitably this process elicits powerful emotions on the part of those who engage in the process. These emotions are central to the motivation that sustains online participation in conditions where freely-given information does not necessarily result in tangible benefits to those who labor to provide them.
I've been roaming the 'Net, searching for solutions to some sewing problems, and, as usual, I have found interesting tangentially-related resources. Too good to forget about, but without an underlying theme, I submit some more links for your amusement and edification.
Vintage Sewing Reference Library, Inc. offers free online access to public domain sewing books....Most of the books published at VintageSewing.info include detailed instructions on how to (fit a pattern, insert a zipper, make a bound buttonhole). If you are creating a garment for a specific year, go to the long table of contents for the books for that year and you will probably find it listed; otherwise, do a search for (fit pattern, zipper, bound buttonhole) and see what turns up.
Gee's Bend is a small rural community nestled into a curve in the Alabama River southwest of Selma, Alabama....After the Civil War, the freed slaves took the name Pettway, became tenant farmers for the Pettway family, and founded an all-black community nearly isolated from the surrounding world....The town's women developed a distinctive, bold, and sophisticated quilting style based on traditional American (and African American) quilts, but with a geometric simplicity reminiscent of Amish quilts and modern art. The women of Gee's Bend passed their skills and aesthetic down through at least six generations to the present.
Is this some sort of joke? We set out to improve our combination grill-smoker with a cold-smoke chamber, using an old propane canister (painted green, on the left) as a fire chamber. It works really well--a few cherry or hickory twigs burning in the little green chamber on the ground quickly give off enough smoke to flavor the meat delicately. Then we remove the dryer vent, and grill as usual. It's a marinade of smoke before cooking, much tastier than store bought mesquite chips burning on the grill.
As I was preparing to post the photo, I realized that this could also be documentation of our redneck credentials. In addition to our chainsaw and our 1946 Ford tractor (with chains), you can see our satellite dish on the left, our 1977 El Camino on the right, and the Cabelas insignia on the grill/smoker in the middle.