Here are a couple more quotes dealing with the issue of cultural stereotypes and Appalachia. Please note that Shelby Lee Adams uses his family ties to Hobart Ison as a reassurance to Lecher County residents that he is "one of them," and not exploiting them. I am somewhat less convinced by this credential, as people often exploit their own. However, Ison and Adams have a lot to show us about the conflict between the "from here" and "come here" Appalachians.
"Appalachia, Democracy, and Cultural Equity" by Dudley Cocke of Appalshop's Roadside TheaterA story points to how confusing poverty is to those who are poor and those who try to empathize with it....As part of the national media's coverage of...[Johnson's War on Poverty], CBS produced "Christmas in Appalachia." Charles Kuralt narrated: "Up on the hill is the Pert Creek School. And up there on this one day is the only sign in this hollow that it is Christmas in Appalachia." The camera cut to half a dozen kids gathered around a coal stove singing "Silent Night." After the broadcast, a little town in Virginia named Appalachia received so many pairs of shoes, simply addressed to "Appalachia, U.S.A.," that....a shoe-burning party was proclaimed by City Council.
The events covered in Stranger With a Camera, 2000 deal with the results of such well-intentioned attention.
....On September 24, 1968, a Lecher County, Kentucky landowner, Hobart Ison, shot and killed National Film Board of Canada director Hugh O'Connor for filming a poor family on his land....filmmaker [Elizabeth] Barret uses...this incident to raise troubling ethical questions about identity, balance and media exploitation which no journalist...can afford to ignore.
Poverty was not new to Eastern Kentucky in 1968; absentee mine ownership, mechanization, unemployment, strip mining, decaying company towns had left more than half the population living below the poverty line. But it was the politically charged atmosphere of America in the 1960s that transformed these creeks and hollows into symbols of persistent poverty, a standing rebuke to the American Dream. Barret traces how a courageous expose by a local lawyer, Harry Caudill, generated front page articles in the New York Times, a BBC documentary and Charles Kuralt's classic documentary, Christmas in Appalachia....
Many locals agreed with Ison that the issue wasn't poverty but the right of outsiders to holdup another people's culture. Ultimately Ison served only a year in jail for his crime. In the 60's Ison's argument about outside agitators was already familiar in the South from White Citizens Councils attacks on the Civil Rights Movement. Today it resonates strangely with certain strands of post-modern cultural criticism....



























